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Usually, what I am doing is that I'm thinking of the performance and trying to sense also and during that time the audience and their energy. Indeed, it's maybe the end of the first part, first half of the requiem. I think we have to take it seriously everywhere. DAVIES: If you're just joining us our guest is Yannick Nezet-Seguin the music director and conductor of The Metropolitan Opera in New York and The Philadelphia Orchestra. A WRUR promotion director collected “spots” written by club representatives to be read over the air. And the chorus is whispering, but all at once, quantus tremor est futurus. And so what is it like for you now to be living in the presence of death? We regret that, due to the large volume of material we receive, we cannot confirm the receipt or the airplay of unsolicited material. It's all the danger. And, of course, the other reason was a bit less philosophical, but it was about my love for vocal music as much as symphonic music. Or I'm not saying not at all, but this is not the focus of how I conceived and still conceive religion or faith. It doesn't matter at some point, you know? Coming up, John Powers reviews the new TV series "Tehran" about a female Israeli spy sent undercover to Iran. Feb 1999 – Jul 1999 6 months. And the soprano soloist is reaching the high C, which is one of the highest notes for the soprano, and soaring above the whole texture. But for me, the - what - the Judgment Day in that requiem, what it depicts for me is more the fears of the human life on our Earth, that we don't want the Earth to explode in a few decades. While it’s not that different than what you might hear any other week on the show, I wanted to CELEBRATE the contribution of all these incredibly talented musicians of color. Jecorey Arthur is a rapper and music educator who, last year, became Louisville's youngest elected official as a city councilor. So this is a descending line which is not chromatic. PHILADELPHIA SINGERS: (Singing in Latin). Executive Staff. Bill Chaisson, who hosts a world music show titled The Hibernian Weather Channel on WRUR from 8 to 10 a.m. Saturdays, shares Green's enthusiasm for the collaboration. And maybe that's what, indeed, actually gave them the necessary distance to be able to really understand what it means as a text. It's more - because it's hard maybe for me to know what I was thinking back then about this. But within the final movement, this "Libera Me," the "Dies Irae" text comes back. Office: State Street - 585-325-7500 Todd Union - 585-275-9787, Studios: State Street 585-258-0283 / Toll Free: 888-639-5613 Todd Union - 585-275-9787, State Street Mailing Address Todd Union Mailing Address, WRUR WRURPO Box 30021 University of Rochester280 State Street CPU Box 277356Rochester, NY 14603-3021 Rochester, NY 14627, For programming questions or comments, you can email Audience Services, For other questions or comments, you can contact us here. And one has to get the right sound because it cannot sound too dry, like a military drum, but if it's too boomy, it doesn't have the impact. We’re Molly and Pinto, WRUR’s GMs for the 2019-2020 school year! Did you ever have the fear of eternal hell, the fear of Judgment Day and eternal flames, that this piece - especially the "Dies Irae" - expresses? So it is a written echo effect, imagining that the trumpets in the world will come from every part of the planet. You know, if they're with us, then it can last as long - you know, it could still be going on. 1995 We'll hear more of Terry's conversation with Yannick about that performance and about his life during the pandemic after this break. The Philadelphia Orchestra will launch its upcoming season with a digital broadcast on September 30 with selections of Rossini, Verdi and Mozart. WRUR-FM is a radio station located in the Rochester, New York area and broadcasts at 88.5 FM. They convey so beautifully, and through a very simple motive of two notes that's repeated, they convey all the tears of the world. NEZET-SEGUIN: Right. Read more >> It's all that we are at the mercy of always something greater than us. There's something quintessentially vocal, lyrical and tender. It's - yeah, it's all the suffering. Tune in for music selected by students, news about campus events and activities, live broadcasts of UofR sporting events, and much much more. Terry had the chance to talk with him in July when our station, WHYY-TV, streamed his very first performance as music director of the Philadelphia Orchestra in 2012. Yannick, it is so good to speak with you again. Interested in Submitting Music for Airplay? This is such a powerful piece that you probably really wanted time for the audience to just sit with the silence and just reflect on what they heard and what they felt. Michael Stead writes that he has completed his M.S. DAVIES: This is FRESH AIR. Our thanks to the Philadelphia Orchestra and to Steve Kwasnik, Terri Murray, Adam Staniszewski and others at WHYY for recording the interview we just heard. GROSS: When you sang it during various stages of your life, what were the parts, vocally, that were the most just fulfilling and beautiful or awesome, like in the sense of awe-inspiring, to sing? Did you live with that? Assistant Professor, Clarinet (269) 387-4695. She supports local and independent musicians with WRUR as a DJ and as the station’s current chief engineer, and previously as the station’s external music director. GROSS: Yannick, I love hearing you talk about music. Mimi Thompson – General Manager Austin Amadio – Business Manager Alan Horstman – Operations Director Amanda Eng – Program Director Ed Zeitz – Music Director David Caban – Technical Director Christine Hahn – Creative Design Director Rachel Hunt – Promotions Director Diane Shoemaker – Public Affairs Director Nick Fletcher – Training Director I'm Dave Davies, in today for Terry Gross. It's like the Earth is opening under our feet. For the Todd Studio, see the University of Rochester's website for maps and directions. Tune in tonight for a special Road To Joy 6:00-8:00 on WRUR 88.5, WITH 90.1, Online at WRUR.org. Context creates a deeper connection to the music. And for me, the colleagues I have in Philadelphia and in New York are as close to me as the colleagues in Montreal are. It's 26 seconds. So I think immediately, someone who is not accustomed to Verdi will think, oh, that's an opera; it's a bit too theatrical. And, you know, our audience members, I want to make sure that I do my best, and this is what I tried to do in the last few months, doing my best even without being there physically because in a way, in confinement, it doesn't make so much difference if you're somewhere physically or not to connect, to reassure, to lead, to try to help. How great will be the terror when the judge comes who will smash everything completely? Toby is also a double major in Brain and Cognitive Science and Linguistics. We will also accept uncompressed digital downloads, preferably by links, or dropbox, rather than email attachments. And what he composed was the "Libera Me". WRUR-FM 88.5 and WXXI.org will broadcast and webcast NPR Music’s live coverage from George Wein’s Folk Festival 50 on August 1 and 2, and CareFusion Jazz Festival 55 on August 8 and August 9. And this is why maybe it's relevant to have it now in these times. Send an email. - maybe hell or - so that is all part of why also Verdi repeats it very often. So you mentioned already the bass drum chords. - because - ebullient. WRUR offers educational opportunities to University of Rochester students, while teaching them accountability and responsibility. In her time at WRUR, she has been Music Director, Creative Director, and has hosted shows on both The Sting and WRUR 88.5. Music 101 explores how music and history both affect one another, while highlighting topics like The Wrecking Crew, banned and censored songs, the Civil Rights Movement, CBGB’s, the Hammond organ in rock — and much more. (SOUNDBITE OF ROTTERDAM PHILHARMONIC PERFORMANCE OF CLAUDE DEBUSSY'S "NOCTURNES"). He has been a member of WRUR for four years, and has been FM Director and Music Director in the past. NEZET-SEGUIN: So, actually, maybe the part as a singer which I found always the most touching and fulfilling is "Lacrymosa." ... Activities and Societies: Music Director and DJ, WRUR 88.5FM Yannick is a young, charismatic conductor committed to interpreting classic works and presenting new adventurous music. Is it an opera, or is it a mass? WRUR offices and studios are located at WXXI and on the campus of the University of Rochester. How old were you? And the recent months have proven it, you know, that even though we try, we try hard with technology and everything to control our destiny, there's something at some point that will be greater than us, and we have to react. Courses. What is happening musically that so powerfully conveys the text? Mona Seghatoleslami is the host and producer of Classical 91.5 FM weekdays... Move to Include. You know, it's what's in between the notes. MUSC 100 Experiencing Music. He was agnostic. Need to reach a particular staff member? So when we chose that piece, I remember us in Philadelphia talking - what does it mean to start a music directorship with a mass for the dead? And I can't wait to be back in Philadelphia and making music. And I hope that maybe that's another way to understand this very quintessentially human and not necessarily religious message. I mean, this is a piece about the dread of eternal damnation versus the possibility of eternal life. And so that is, of course, why even though I'm in Montreal I like to feel it in my heart I'm everywhere at once. Thank you so much for talking to us today. And two prominent musicians in that city have an unusual collaboration. In addition to his years with the Met, Levine served as the music director of the Boston Symphony Orchestra (BSO) from 2004 to 2011, and was the chief conductor of the Munich Philharmonic for five seasons. We do it with a large bass drum nowadays, but it has to be mentioned that Verdi was imagining that an instrument would be even built for that, was imagining a huge bass drum which was not available at the time, which was wood (ph). Abi is a senior studying political science, psychology, and religion. DJ and Music Director for WRUR 88.5FM, University of Rochester's college radio station. Rebecca writes: “Jeremy is a fan of all music, especially a cappella, and his mom, the musical director of Vocal Point (1993–94), hopes that one day he’ll be a Yellowjacket!” . They have something which is almost unplayable, but of course, the great strings of the Philadelphia Orchestra can play it beautifully - (imitating violin). We'll start with some of Yannick's first performance as music director of the Philadelphia Orchestra. And those descending line, you rightly pointed out, from the chorus are actually really like the judgment descending upon us. He first performed the "Requiem" as a teenager. GROSS: You're in Montreal as we speak, which is a lot safer than the U.S. is right now in terms of the virus. (SOUNDBITE OF YANNICK NEZET-SEGUIN AND PHILADELPHIA ORCHESTRA PERFORMANCE OF GIUSEPPE VERDI'S "REQUIEM"). Terry spoke to Yannick in July. We'll be back after a break. And thank you so much for your music and your thoughts. (SOUNDBITE OF PHILIPPE JORDAN'S "MESSA DA REQUIEM: XIII. And therefore, it became sincere and more personal to him. DAVIES: That was part of "Libera me," the last movement of Verdi's "Requiem," with Yannick Nezet-Seguin conducting The Philadelphia Orchestra. (Reading) The day of wrath, that day will dissolve the world in ashes. A broadcast partnership of the University of Rochester... WXXI Classical. Faculty Specialist, Music Therapy (269) 387-2836. Rochester’s station for music discovery. I think that we're not safe anywhere really. And that's - you know, there's usually, like, time for the notes to decay in the, you know, performing hall and, you know, a bit of silence at the end for reflection. Like, I find this musical passage just so - it sends chills down my spine. Are you counting in your mind? He's also been a guest conductor at orchestras around the world and was the music director of the Rotterdam Philharmonic Orchestra. Because I'm sure you're not only thinking about yourself but of people who you love in Montreal and in Philadelphia and in New York where you conduct The Metropolitan Opera and around the world because the singers from The Met come from around the world. I just want to say, it's a magnificent performance of Verdi's "Requiem," and it's such a really awe-inspiring piece. Carrie is a double major in English and Economics. It's all the unknown. The expression of it - or maybe that's now the Yannick, a 45-year-old, talking to you. So that's at the very end of that second movement, you said, which is a sequence, which is very, very long. But today I would say that, unfortunately, my fear of it is more what happens on Earth. We'll be back after a break. Our guest is Yannick Nezet-Seguin, the music director and conductor of the Metropolitan Opera in New York and the Philadelphia Orchestra. Stephanie's Horse Ranch Herald, CA. Are you just feeling it? So he was assigned to do the final movement. And I'm wondering, Yannick, getting back to the fact that you sang this when you were 15, at what point in your own relationship to Catholicism were you? . Deanna Bush. Associate Professor, Tuba This is FRESH AIR. See All. Music Director Music Director 280 State Street Univesity of Rochester, CPU Box 277356 Rochester, NY 14614 Rochester, NY 14627 We will also accept uncompressed digital downloads, preferably by links, or dropbox, rather than email attachments. DAVIES: This is FRESH AIR. GROSS: I want to get back to the Verdi "Requiem." NEZET-SEGUIN: Well, maybe the one that is truly unique - and I would count one of those moments as one of - you know, you can count on one hand, you know, of the truly - moments where if you get it right, it feels, physically, there's something happening. Welcome to The Sting! So those descending lines is what we call the chromatic scale. NEZET-SEGUIN: Well, I couldn't agree more with you. A little bit after - when it quiets down, after a couple of minutes of that - into that movement, it talks about the terror. Folsom Lake College. (SOUNDBITE OF PHILADELPHIA ORCHESTRA PERFORMANCE OF JOHANNES BRAHMS' "SYMPHONY NO. SANCTUS"). WRUV’s mission is to offer listeners an alternative radio experience and unique music programming, and to provide its members with opportunities for broadcast, leadership, and technical training. DAVIES: Conductor Yannick Nezet-Seguin talking about Verdi's "Requiem," his very first performance as music director of the Philadelphia Orchestra in 2012. And it's such an emotional work. 3 IN F MAJOR"). They just go in the opposite direction. And I'm wondering, like, how do you know how long you want the audience to sit with the silence? He has previously served as direc-tor of the Sting and productions. Studio Telephone Number: 585-273-2748. The trumpet scattering a marvelous sound through the tombs of every land will gather all before the throne. Yannick is the young, charismatic music director of both New York's Metropolitan Opera and the Philadelphia Orchestra. After the chorus, there is also an incredible gesture from all the strings. And maybe another fact, which I'm sure you know, but maybe our listeners don't all know - that this piece was first composed as part of a collective requiem for a tribute to Rossini. NEZET-SEGUIN: I think it's really about the feeling. He became the third music director of the Metropolitan Opera in 2018 and became the Philadelphia Orchestra's eighth music director in 2012. I'm a citizen of Canada, but I'm also, you know, culturally a citizen of the United States. She worked as co-music director with Carrie in ‘15-’16 and as FM And I disagree. ... WRUR-FM Rochester. He leads two of the world's great music institutions - the Metropolitan Opera and the Philadelphia Orchestra. So I sang it a couple of times as a member of the choir. He grew up in Montreal and continues to return there to conduct. GROSS: Well, am I right in saying that when you were a child - that you sang in the choir, doing Verdi's "Requiem?" https://naccchart.com/md-of-the-month/molly-robins-wrur-rochester For information, please contact music@wrur.org. GROSS: So I want to talk to you about a specific part of the piece, and it's the "Dies Irae." And afterwards, there is a final trumpet, the judgment - the trumpet of the judgment like in the Bible. But 26 seconds is actually a really long time. And the melody itself, which Verdi took also again in his opera "Don Carlos," which is my favorite of Verdi - (singing in non-English language). Instead of having maybe a formalized or true accepted vision of what it is that this text means as a prayer or as a believer of one's faith. GROSS: I know, and I also feel that music allows us to experience our feelings more deeply and while doing that to affirm what we're feeling because the orchestra is feeling it. NEZET-SEGUIN: Well, Terry, it's a privilege always to talk to you really. He became music director seven years ago when he was in his mid-20s. And there's also - we're also lifted up in the air. Well, when we watch this Verdi "Requiem," you know, there were so many people on stage. WRUR WXXI Partnership "WRUR-FM is a partnership of the University of Rochester and WXXI Public Broadcasting.The station is committed to providing news and music programming that appeals to a diverse audience of listeners. And, like, my goodness (laughter). It was your first performance with the Philadelphia Orchestra as its music director. Tribal Lands Statement. They stay raised for a really long time. Yannick is the young, charismatic music director of both New York's Metropolitan Opera and the Philadelphia Orchestra. WRUR Music Director/DJ Rochester, NY. So it's at the very end of this fugue - (singing in non-English language) - which is very active, very anxious, energetic, quintessentially Italian - may I say? To see more, visit. And the only way for a composer to be really sincere is to do it with the kind of language and vocabulary that they usually use. Here is a map of WXXI's location. I think that is just the kind of language that Verdi was knowing. Note: Please see below for detailed information on the courses offered this year. And of course, coming from that viewpoint but trying, also, to make my opinion - make up my mind about this eternal question about that piece specifically. And probably - this is just an - it's hypothetic for me, but it might be the reason why these pieces speak to us so much today and to many generations regardless of if you're a Catholic or Jewish or a Muslim or a Lutheran. But the chorus is most importantly, I think, representing the mob of all of us humans in fear. And the meaning is that we all have to deal with death and life after death and people around us and our own - also our own relationship to living and that, in the end, the - to live this as a community makes us feel less lonely, makes us - in a certain way - hopeful. We lost one member of the viola section in The Met Orchestra, and we lost one assistant conductor who was one of our most wonderful colleagues in the music staff. And there's no pride in I think wanting to show the world that maybe one part of the world is better than the other in dealing. NEZET-SEGUIN: First, about the fact of the composers being agnostic - I think that Mozart, in many ways, can be considered an agnostic, too - maybe not so much Brahms. He is the music director for The Rochester Music Hall Of Fame and he is the music director at Mount Olive Missionary Baptist Church in Geneva. Musical Director. Western Washington University's main campus is situated on the ancestral homelands of the Coast Salish Peoples, who have lived in the Salish Sea basin, all throughout the San Juan Islands and the North Cascades watershed from time immemorial. GROSS: Verdi himself was agnostic. And that's also one of the great examples where the music is magnifying the text or amplifying it in a way. Terry had the chance to talk with him in July when our station, WHYY-TV, streamed his very first performance as music director of the Philadelphia Orchestra in 2012. From Verdi's "Requiem," this is the "Tuba Mirum" section of the movement called "Dies Irae," which translates to the day of wrath. There isn't a lot of things in life that can convey the sense of community as you mention other than - more than at least, you know, an orchestra and a chorus, what it can do. And at the moment, this is not possible to do. Tonight, in participation of “Black Out Tuesday” I’m focusing on artists of color. Kayoung is a junior majoring in English and minor- ing in Legal Studies, and has been Creative Director and Sting Director in previous years. GROSS: And that descending line with the orchestra - is there something special that's happening harmonically to give this sense of anguish and pleading... NEZET-SEGUIN: Yes. But I'm thinking of another composer like this or at least - at the very least, they all had a troubled or at least questioning relationship to religion, all of these great composers. 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