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21 (1912). Arnold Schoenberg’s “Pierrot Lunaire” is the story of a moonstruck clown, a 20th Century descendant of the classic commedia dell'Arte clown. One of his collections of musical works is Pierrot Lunaire, op. Schoenberg (1874-1951) reached musical maturity in Vienna, the home of Freud and the Expressionist art movement that dominated Germany and Austria during the early twentieth century. However, the lack of tonality reduces the impressiveness of these devices, and the scoring, often confined to low and middle registers, makes it all very muddy anyway. After Schoenberg’s death in 1951, recordings of “Pierrot Lunaire” started coming out regularly. Arnold Schoenberg Yes, more information Schoenberg has a subtle way of creating unity in the course of the song He indicates the connecting device in the subtitle of the piece: “Passacaglia.” Passacaglia- an old term, stemming from the Baroque period, describes a variation form Finding traces of the law written in our music and its condemning power. 1. Pierrot Lunaire. “Mondestrunken” (which translates to “Moon drunk”) is a small piece written by Arnold Schoenberg as part of a series of compositions based on the poems written by Albert Giraud called “Pierrot Lunaire”. These are chamber works, but their instrumental makeup is a unique mixture of instruments that do not necessarily blend and that seem further to repudiate the orchestra as a… Set by Arnold Schoenberg(1874-1951), op. 21 (1912) Texts by Otto Erich Hartleben (1864-1905), after Albert Giraud (1860-1929) Laurance Wieder (English) Powerpoint projection of English subtitles. Pierrot lunaire is the last important work of Schoenberg's Expressionist period (1907 to World War I ). It’s not really a story, though – perhaps it’s more about story-telling. Pierrot lunaire's a hard piece to love. Composer and painter Arnold Schoenberg (1874-1951) had a huge impact on the atonal movement of music. October 16 th, 2012 marked the 100 th anniversary of the seminal atonal work by Arnold Schoenberg—Pierrot Lunaire.Using the stock clown character from Italian Commedia dell’Arte, Schoenberg unmasks Pierrot by removing the false façade of the farcical clown and exposing a melancholic madman obsessed … Schoenberg fills the work with canon, passacaglia, fugue, and other contrapuntal games. Text and Music. He pushed for the emancipation of dissonance, wanting to free himself and other composers from all rules of tonality. Perhaps the most unusual piece Schoenberg wrote was his setting of 21 poems by Albert Giraud for singer and small instrumental group (piano, flute/piccolo, clarinet/bass clarinet, violin/viola and cello) called Pierrot Lunaire, completed in 1912. Say “Pierrot,” and any musician will instantly know you’re talking about Arnold Schoenberg’s Opus 21, “Three Times Seven Poems from Albert Giraud’s ‘Pierrot Lunaire.’” …the German composer Arnold Schoenberg’s Pierrot Lunaire (1912) and the Russian composer Igor Stravinsky’s Histoire du soldat (1918; The Soldier’s Tale). Despite the acknowledged importance of Schoenberg's Pierrot Lunaire, no thorough analysis of the music exists.^ Descriptions of the piece general-ly focus on one or more of the following aspects: 1) the poetry and its images, 2) the Sprechstimme technique / 3) the instrumentation , or 4) the music itself.

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